During my many hours of research for this task, I found some truly helpful resources on the subject of chamber medicinal drug. Most of these books and sack up sites were arranged very carefully and neatly in, mainly dickens different ways - in periods, classical, romantic and contemporary and by composer. I found this organization very helpful and handy but what struck me was that when the resources were listed by period, they had always seemed to skip the baroque period and when they were listed by composer, they always seemed to skip composers before 1750. I wanted to know why in that respect was such a giant gap at the beginning of such a large discipline as chamber practice of medicine. I then discovered that chamber music ensembles almost neer choose works older than 1750. This raised a entirely new set of questions.
Is music earlier then 1750 contemptible of per editionance? Are the instruments that they were written for obsolete? Did chamber music exist before 1750? When did the music that we now refer to as Chamber-Music begin - when did composers start writing for ensembles in a stylus that we now call chamber music? Did the String quaternion simply appear out of no-where or are there ancestors of it?
Firstly, what is chamber music anyway?
Chamber music is music meant for a small room, using a small ensemble - unremarkably consisting of less than 10 performers. According to modern conceptions, chamber music is instrumental music of an intimate, carefully balanced type, written for wiz or more instruments, unitary of which is usually a tuneful instrument and each part is performed by only one player.
Did chamber music exist before 1750?
Essentially, chamber music began in the 16th century with vocal and instrumental madrigals, all the same today vocal music in any form is not considered chamber...
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