A Short Story by Gabriel Garcia Marquez

The Incredible and sorry Tale of Innocent Erendira and Her heartless Grandmother is a curtly fiction story by Colombian author Gabriel Garcia Marquez who ingestions his intent experiences to make his stories. The narrative component in the story balances characters and events and in the end breaks, momentarily, away from third individual into first person mid-story, creating a liminal space connecting the story to another(prenominal) world presumably ours. In this short story Marquez is influenced by the literary movement of naturalism and uses some of the elements to develop the traits of Erendira, the granddaughter, the grandmother, Ulises and the settings. Garcia gives a powerful impression of the spirit of these characters. Naturalism in literary works is an approach that proceeds from an depth psychology of concreteity in foothold of natural forces like heredity, environment, and somatogenetic drives. Naturalism neglects supernatural powers and considers the reput ation to be the primary crusade for everything happening. Marquez strives to portray life accurately through the dehumanization and the romanticization of adolescence that shape Erendira and her grandmothers life, showing the using of labor by expediency and of passivity by unmercifulness; Instead of free will, Marquez depicts Erendiras actions as determined by environmental forces surrounding her.\nMarquezs use of realistic style, depicting Erendira as a human living creature, helps us picture her as dehumanized, a real human being outlet through real life. At the beginning of the story as the grandmother and Erendira get a ride to a township after the house burn down down, we see the start of the dehumanization process. As a earnings for the ride, the truck loader, taming her with tenderness. (203), makes love to Erendira. Marquezs use of the word taming  suggest animal treatment as we unremarkably associate the word with develop animals. Soon after arriving in the town the grandmother as a mailman Do you like it? (205) in which he re...