CINEMATOGRAPHUC TECHNIQUES IN PSYCHO
Camera press studs
        Close Up: After Marion Crane books into Bates Motel, Norman goes to get her a key off the key board. The closing up begins with Normans extend close to No. 4. His hand consequently moves uncertainly on the keyboard where he fumbles with key No. 1. This act, along with the rather fractured conversation prior, gives this close up an uncomfortable feeling, verbalise that there is possibly a reason why Marion has been given(p) key No. 1. This also makes the reader question Normans need in choosing this room.
        Extreme Close Up: Towards the end of the shower scene there is an extreme close up of Marions blood flecked hand grasping helplessly at the white shower tiles. This truthful shot shows her fingers contorting with pain as she tries to find something to hold herself up with. The white sterile tiles give a sharp separate to the bloody hand, and add to the shock value of this scene.
        Medium Shot: When Norman brings down dinner for Marion, he takes her into the Parlour to eat. It is their that they throw a rather interesting conversation. There is a strong suit shot of Norman sitting in a death chair talking to Marion.
The medium shot is close enough to show vital detail in the place setting but farther enough back to show the entirety of his surroundings. In the background there is a stuffed owl with its wings spread looking for for quite menacing, with ground lighting casting an eerie tone onto the roof.
Camera Angles
        Overhead Shot: As Arbergast cautiously climbs the stairs looking for Normans mother, we see a sliver of light as a door opens. As the door bursts open the camera cuts to an hit shot. The shot shows the mother pouncing onto the unsuspecting Arbergast...
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